A personal performance manifesto based on the 21st century

A Manifesto is a document that seeks to roll certain information about a certain issue as viewed by somebody. Personal deed Manifestos as such, atomic number 18 therefore documents that consists of an someones views, about how an artiste presentments should be created and presented.Performance Manifesto history can be traced back to the early 1910s when groups of artists which included futurists, Dadaists and the likes, using upd them to express their views on what art re everyy was and what it encompassed.There after exertion pronunciamento have been recurrently used with main embassies associated to avant-garde Modernism. Thus rise in the use of personal work manifesto can be excessively associated to the egression of internet engine room which has created a electric potential world wide audience.According to Tristan Tzara (A historical artist), A proceeding manifesto is like a communication make to the whole world, whose main pretension is on the discovery of an in stant remediation for political, social, astronomical, economical artiste and literary syphilis. (Lee Scivner ). Performance of artiste presentations since their start hundreds of years back has undergone a series of transformation.This has been occasioned by things like, changing level of technology and preferences of people among umteen other(a) reasons. Performance of hundred years back is very diverse with flairrn capital punishments in many aspects ranging from the styles, genres among many other aspects.However, these changes are non fair to middling to satisfy the requirements of the coetaneous society. Worse still the fast change have caused some other valuable aspects which were common in historical transactions to be ignored. Due to the above two reasons personal mental process manifestos have been on the increase especially from critics and friends of theatre.A keen scrutinization of majority of this instruction execution manifesto shows a uniform, a simil ar and a common argument, that the contemporary society is becoming more informed daylight by day and hence needs retirement and competency in commonplace theatric performance.To begin, it would be fair to say that the contemporary society is dying to see a performance that is socio-political, economic, and erotical, mystical, that does not well(p) make people amused for central of their hard-earned cash.The contemporary society needs performances that grows up not knowing it is performance at all, a performance given the chance of having a draw point of zero.(Harron, C. and Wood, P (2006) Art in Theory, 1900 2000 an anthology of changing ideas. 2 ed. ground forces Blackwell Publishing).The above things can only be achieved by doing a panache with button-down sickness, commercialized culture, work of dead performance, imitation, artificial performance, Abstract performance, illusionist performance and Mathematical performances. Inn addition all people including both materiall y and morally (Fluxes manifestation by George Meckonaz 1963).Once more contemporary society is dread(a) for performance that volition integrate many cultures of the world. We are living in a world full of socio-political and economic injustices and therefore any highway which seeks to take us away from these injustices is highly welcomed.In many instances performances have been present with the main aim of addressing these injustices but sincerely speaking it has not been enough. thus there is a great need form performance which leave integrate the diverse cultures in view of addressing the above injustices which in or so cases are brought about by cultural differences.Art, Music and Poetry the common chord call back genres of performance need to be fully recognized by the relevant authorities. It is only by due recognizers that the quality of performance exit be improved. This is because potential and practicing performances leave behind start taking their work in earn est and therefore give a performance which is in line with twenty-first Century performance expectations. The relevant authorities have included Ministries in charge of social affairs and governments.The above views and opinions about the fate of performance in respect to twenty-first century expectations do not mean the state of performance as of now are pathetic. This is only an tenderness opener to the stakeholders in the performance industry so that they can hook up their socks and live to the standards of the changing world.As a matter of fact contemporary performance can be said to be among the very many sectors which have strugg direct to stay in level with changes of time and technology. It is not a surprise therefore new styles of performance have sprouted all over.For instance in Music new styles have come up with the latest being hi-hop music. Contemporary artists (sculptors, painters) Writers, Poets are also doing a worthy job but t is imperative that they put more ef forts in their work to stay in level with the 21st Century demands.Another ambit sensitive to performance industry is return of artistic workings. This is where contemporary performance is failing as compared to historic performances. With emerging technology it is obvious production of artists work is done with care and without any problems arising, but it is sad to not that unscrupulous pirates are making use of improvement in technology to come up with illegal publications of these artistic works without the consent of the artists producer.This needs to be done away with once and for all, so as to let the real beneficiaries of royalties coming from the sale of their music.This manifesto also covers the improvement of performance instruments and equipments as another key method of taking performances in general to a higher level in relation to 21st Century. close to of artistic performances require the accompaniment of instruments. As such, therefore latest instruments and equ ipments need to be invented and pt into constant use. Many are time when potential performers are limited to the option of producing their items. This is sometimes due to lack of enough funds to access the equipments.There is dire need also to change the mode of presentation of performances.. A new mode or language of presentation should be introduced so as to help save the audience of the inveterate common place methods of performance presentation.Lastly it is important that the actors and the audience collaborates and share ideas as to what really needs to be addressed in the contemporary performances. This will enable actors and artists to come up with only those performances that are morally upright piano and help the contemporary society in solving mysteries of nature.This manifesto is not in any way exhaustive as to what needs to be done or not in contemporary performances to meet the 21st century demands. Therefore the above listed views and opinions may be challenged but of wideness to note is that they were arrived at after a careful scrutization of the current and historical performance trends. They are practically possible to implement and therefore issuance driven.A Critical Reflection of the above Personal Performance ManifestoOnce again it is in order to note that the writing of Manifestos is not a practice which has started just the other day as explained above.Manifesto writing has been with us over the give-up the ghost one hundred years. Critics and artists write manifestos so as to relay a message of dissatisfaction of a previous practice and therefore put fore a correctional course of action. In relation to the above manifesto for the 21st century it is crystal clear that the previous practices employed in performance industry needs to be overhauled if the 21st century demands and expectations are to be realized.The manifestos recommendations are therefore not in any way hollow, they are commonplace. Yes but greatly serves to put the l evel of performances in the right track towards the 21st century expectations.The Manifesto talked of performances that are in themselves informing. It is just sad to note that even today people advance staging performances which are substandard despite many efforts by other people who are determined to take performance industry a level higher.This point seeks to bring out the difference between what contemporary performance should give its audience as compared to the historical performances when things were very diametric from what they are today.In respect to Karen Finley who is currently based in New York, performance need also to take a different dimension if they will continue being used as a tool for informing, educating and also entertaining.Karen has pushed beyond the boundaries of normal practices and natural acts and as a result her works have drawn a lot of attention.Although this much attention led her in to waling along the corridors of justice following low suits fil ed against her work by politicians it is a nice piece of work for the 21st century.